A sublime chapter in the biography of Don Stevens AN ALMOST PERFECT BALANCE by Laurent Weichberger and Companions, begins on page 643.
I've tried to briefly summarize it in the article below. Its title is: 

Wise Counsel, Intuition and The Sweetness        The Don in Central Australia 1993                       by Craig San Roque (2022)

[for an explanation of the Snake Painting in the collage above, go to the bottom of this post.]
This 15-page chapter is ostensibly a memoir piece about Don's visit to Craig in '93 in Alice Springs in Central Australia, where Craig, utilizing his training in analytical (Jungian) psychology, has been working with the indigenous community for many years.

But it is a lot more than that, as well.
***
It begins with a bit of personal history of Craig's association with Don in London, beginning in the late '60s. And the story of his return to Australia after several years, and how he took a government job working with people in Alice Springs, and has mostly been there ever since.

Then there is a vignette describing a very tense experience just prior to Don Stevens' 3-day 1993 visit. The vignette shows the deep intuitive relationship of Craig with a local artist/activist named Andrew Spencer Japaljarri, in the service of partnering in a very sensitive way to disarm a person who was on the verge of going out of control inside the indigenous village area. After summoning Craig, Mr. Japaljarri then tells him to leave because things are really not safe there. Craig does so, along with a visiting female colleague who is with him. Suddenly, though, Craig gets an intuitive hunch and turns around again, and goes back to the village compound. His friend, Japaljarri, comes out and hands him a gun, through the fence, and asks him to take it, to get it out of there.

As they leave again with the gun, the visiting colleague is baffled and asks Craig, "How did you know to turn around. The answer is left "blowing in the wind." It bespeaks the deep intuitive connection between the two men, which is really the subject...this intuitive, inner sense...of the entire chapter.
***
Don Stevens arrives and Craig takes him to visit Mr. Japaljarri and his wife. Later, he takes Don to Uluru, the huge outcropping known in the West as Ayers Rock, and to several other sites sacred to the locals.

Our of this Craig generates a sort of bi-cultural discussion of the power spots of aboriginal sacred traditions in comparison to GOD SPEAKS and Craig's remembered introduction to that book long ago by Don in their London group.

The last pages of the chapter focus on one of the points in GOD SPEAKS, that occasioned a discussion in London: the part in which Baba tells of the Om Point, the Creation Point.

The question emerges, and is discussed that very day, whether there is really a single Om Point--or whether such points may be in dispersed in local "nodes" around the globe--or even, everywhere: ie, the Creation Point of the Universe is the Divinity within EACH drop-soul! (This wording is mine, but I think it accurately reflects the book.)

Craig also in the chapter describes an indigenous Australian sacred place called Karinyarra, "a tall rock pillar of dark red oxide colors, surrounded by a water pool." Craig then tells the reader that Mr. Japaljarri's translation of the name and function of this pillar is:

***Him who is standing there -- from this place all the plants and trees spread out. Seeds come from here. We have to look after it."***

It, and I believe other indigenous sacred places, seem like Creation Points.

Later, in the very stirring final paragraphs of the chapter, Craig again muses that for him, the Creation Point is in every being.
He ends the chapter with these words;

"I found my own kind of Creation Point and thereby, I feel that I became more firmly earthed and able to take up the reins of my own river.
Such is life.
So be it."

***
Here is another quote from the paragraphs of the chapter, which ties together threads of Craig's life, his connection with Don, the Mandali, and his Australian friend Japaljarri. In particular, he is grateful to Don Stevens, saying:

"As I got to know him, he nurtured my reliance upon stable intuition - as the way in which Avataric tenderness would most effectively reach in - and be present in - a life and country a long way from the centres of activity." (bold type mine)

I love Craig's writing. I hope this has given a glimpse of a very, very rich chapter of the Don Stevens "authorized biography".
❤️❤️❤️
Avatar Meher Baba Ki Jai!
***

*Explanation by Craig San Roque of the Snake Painting in the Collage Above